The New York Times’ Anita Gates on Pretty Theft

A great and heartfelt review from Anita Gates at the New York Times.

I especially like that she identifies the choice Allegra makes in the middle of the play as a moment that crosses a line to cause serious consequences, and connects that to a later choice Marco makes. The more we’ve lived with the play, the more these details and subtle connections have risen to the surface, and it’s good to hear they’re coming across.