Flux’s Season 4: Don’t Look Away

Flux is thrilled to announce our fourth season!

Our fourth season explores the cost of a society remaining always vigilant. In our see something, say something world, what happens to empathy when we’re always on guard?
What is our responsibility to those keeping watch?
And what happens when our defenses are breached?

Information on the plays:

Dog Act: A theatrical, post-apocalyptic dark comedy, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog (a young man undergoing a voluntary species demotion) as they walk through the wilderness of the former U.S.A with their little troupe. They are heading toward a gig in China, if they can find it…and if a secret in Dog’s past doesn’t undo them.

“[A] delightful dark comedy…. It’s a bright dystopian blend of pop and high culture… peppered with astonishing and exhilarating eruptions of storytelling and wondrous plays within the play…. Adams’ vaudeville routines are each a stroke of genius…. The monologues by each of the performers are near classics of their kind. Best of all is ‘The Mortality Play…’ a blissfully eclectic history of humanity… Dog, as they say, has legs.” –Robert Hurwitt, San Francisco Chronicle

Ajax in Iraq: Past and present collide in Ellen McLaughlin’s mash-up of Sophocles’ tragedy Ajax and the Iraq War. The play follows the intertwining paths of the Greek hero Ajax and A.J., a female soldier in Iraq, both undone by the betrayal of a commanding officer. The atrocities they commit as a result of those betrayals force us to look at our culpability in the actions of those keeping us safe.

Developed over 16 months in 2009 with the graduate acting students at A.R.T., Ajax in Iraq weaves together Sophocles’ play with material based on interviews with veterans. Says McLaughlin, “[Ajax’s] pain, however much we wish to turn from it, compels our attention and our empathy. Looking at this play in the light of our times, his agony suddenly seems terribly modern. His voice can be heard in the voices of veterans speaking now about their experiences in Iraq. I came to feel that this disturbing and impossible play might be the means of grappling with this disturbing and impossible war.”

Menders: Corey and Aimes are new recruits mending the wall that guards their city from an unnamed threat. But as their teacher Drew tells them stories of the world outside, they begin to wonder at the real purpose of the wall. His subversive tales also unlock personal desires, until an unexpected act of passion tears the menders apart. Inspired by Robert Frost’s poem, Mending Wall, Menders is a hauntingly lyrical look at what we’re walling out.

Menders continues our development of Erin Browne’s work. After developing plays like Trying and Return at Flux Sundays, and giving her Narrator One a Food:Soul, we knew it was time to share her work at the level of full production. We’ll be developing this play with Erin over the next year, so stay tuned for updates from that process.

We are thrilled to be bringing you these three plays, that for all their differences, speak to a common question. We’ll be talking a lot more about these plays over the next months, and the fascinating ways they work individually and together. We very much hope you will join us for our Season 4: Don’t Look Away.