Sharing Power with Obvious Agency
Sharing Power is a podcast and performance series about distributed leadership and consent-based processes. The podcast, co-hosted by Flux Creative Partners Lori Elizabeth Parquet, Corinna Schulenburg, and Jason Tseng, invites other creators and organizers who are practicing distributed leadership/consent-based processes to discuss how they’re doing it.
The first Sharing Power episode of our second season was with Ari Glass and Daniel Park about their collaboration in Obvious Agency:
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“We can’t keep looking at how theatre is traditionally made in this country, because those best practices do not serve us. So let’s look at this other field and learn from them and bring that back to the arts and culture and see how things start to work.”
-Daniel Park““If theatre’s dying but video games are ascending, how do we bring the joys and pleasures from gaming to immersive theater, where we want audiences to really have meaningful choice?”.”
-Ari Glass
Obvious Agency creates interactive, experiential art that ranges from the personal, to the institutional, to the ridiculous. Blending theatrical and digital arts, we create spaces where participants can co-create their own experiences through first-hand exploration of the worlds we create. Always serious, always silly, we believe that by helping create and define culture, we can create systemic and interpersonal change.
Our commitment to co-creative work stems from a dissatisfaction with “immersive” models of live performance. Instead of being pulled under and subject to other’s creative currents, we start from the assumption that people innately have both artistic impulses and the capacity to create art, and that our art is enriched by both their impulses and capacities. We create models of audiencing that help us think about familiar spaces in unfamiliar ways, that empower us to act in ways that might feel too transgressive in less controlled circumstances, and that imagine worlds in which we are empowered to make decisions on the bases of pleasure, not necessity.
Inherent in this imagining of new ways of being and creating is our governing and administrative structure. We are a worker-owned cooperative grounded in anti-capitalist, anti-racist, non-normative, liberatory, and feminist frameworks. Obvious Agency’s work is collectively authored and owned. We split labor and remuneration transparently and unanimously, on a project-by-project basis. And we love what we do.
THE GUESTS
Ari Gass (they/them) is an intermedia artist, scholar, and assistant professor at Drexel University, whose interests lie at the intersection of digital and embodied play. They explore embodiment from a technical perspective, examining the interface of on-screen and off-screen bodily performance in video games, as well as from a creative perspective, through the production of interactive multimedia performances. Their research draws on methodologies and perspectives from media studies, video game studies, queer and feminist theory as well as devised, ensemble-based performance and performance studies.
Daniel Park is a queer, bi-racial, theatre and performance artist, movement facilitator, and organizer for racial and labor justice in the cultural sector. Through all of the above, his work brings people together to understand and experiment with their individual and mutual roles in bringing about the liberation of all people. Since moving to Philadelphia in 2014 Daniel has become a leader for radical thought in the local creative ecosystem and a trusted national source for guidance on the intersection between cooperatives and the arts. Daniel has self-produced multiple major works, co-founded the worker cooperative Obvious Agency (www.obvious-agency.com), created commissions for institutions such as the Barnes Foundation and Moore College of Art and Design, and taught anti-oppressive creation methodology at the University of the Arts. He was the recipient of a 2024 NTP grant from the New England Foundation for the Arts and a 2022 Art Works Grant from the Philadelphia Foundation and Forman Arts Initiative. Daniel has provided his services as a facilitator and consultant nationally with organizations such as Creatives Rebuild New York, The PA Governor’s Commission on Asian American Affairs, ArtPlace America, and many others. Daniel was also instrumental as an organizer and recruiter for Philadelphia Asian Performing Artists, a community group that brings together folks of pan-Asian descent involved in the performing arts.
THE CO-HOSTS
Lori Elizabeth Parquet, co-host, (she/her), is a Flux Creative Partner and actor, director, and playwright from New Orleans, Louisiana with a B.A. in Theatre Arts from Cornell University. Her New York City stage credits include Macbeth, Dispatches From (A)mended America (Off-Broadway, Epic Theatre Ensemble), The Providence of Neighboring Bodies (Dutch Kills Theater/Ars Nova), The Honeycomb Trilogy: Sovereign (Gideon Productions), Medea (Phoenix Theatre Ensemble), Dog Act, Ajax in Iraq, Honey Fist, Operating Systems (Flux Theatre Ensemble), and Republic, Baal, Murder In the Cathedral (JACK/Hoi Polloi). She made her international debut performing in Pillars of Society at Teater Ibsen in Skien, Norway. She also performed in The Providence of Neighboring Bodies at the Edinburgh Fringe Festival in 2018. In 2019 she was nominated for and won the New York Innovative Theatre Award for Best Actress in a Lead Role for her performance in Operating Systems. As a director, Lori has directed Topdog/Underdog at Princeton Summer Theater and assistant directed The Public Theater’s most recent Shakespeare in the Park productions of As You Like It, and Twelfth Night. She was alsoas an acting coach on Disney’s Hercules, a Public Works production. Lori just served as Associate Director of New York City Center’s Encores: Off-center production of Maria Irene Fornes’ Promenade and has directed many readings and workshops with Public Works, Flux Theatre Ensemble, The Brooklyn Generator, and other theatre companies across New York City. As a playwright, Lori was selected as one of six featured playwrights for Season Five of The Fire This Time Festival, which produced a reading of her full-length play In Communion, and her short plays have been produced through Flux Theatre Ensemble, New York Madness, and other NYC indie theatres and festivals.
Corinna Schulenburg, co-host, (she-her), is a Flux Creative Partner. She is a trans artist and activist committed to ensemble practice and social justice.As a playwright, her work with Flux includes Riding the Bull, Rue, Other Bodies, The Lesser Seductions of History, Jacob’s House, DEINDE, Honey Fist, Salvage,The Sea Concerto, and Operating Systems. With Flux, she directed Ajax in Iraq (NYITA nomination), A Midsummer Nights Dream, and the Food:Souls Goldsboro and Volleygirls. As an actor with Flux, she has played Sam in Metra: A Climate Revolution Play with Songs; Max in World Builders, Dr. X in Hearts Like Fists, Ezekiel in 8 Little Antichrists (NYITA nomination), and the Professor in Rue.
Jason Tseng, co-host, (they/them) is a queer, non-binary Chinese-American playwright based in New York City, originally hailing from the suburbs of Washington, D.C. Their plays have been presented and developed by Flux Theatre Ensemble, Judson Arts, Mission to dit(Mars), Theatre COTE, Inkubator Arts, Second Generation, Downtown Urban Arts Festival, and LA Queer New Works Festival. They are a Creative Partner of Flux Theatre Ensemble, a member of The Civilians’s 2019/2020 R&D Group, a member of Mission to dit(Mars)’s Propulsion Lab, and their plays have been honored as Semi-finalists for the New American Voices Playwrights Festiva, Bay Area Playwrights Festivall and the Eugene O’Neil National Playwrights Conference. Jason’s full-length plays include Rizing (World Premiere, Flux Theatre Ensemble), Like Father, Same Same, Ghost Money, Fear and Wonder, and The Other Side. Find more at jasontseng.com.
